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VERDI, G.: Trovatore (Il) [Opera] (Sung in French) (Teatro Regio di Parma, 2018)

Il trovatore (Sung in French)
Composer: Verdi, Giuseppe
Librettist/Text Author: Cammarano, Salvatore
Librettist/Text Author: Pacini, Emilien
Conductor: Abbado, Roberto
Orchestra: Parma Teatro Regio Chorus
Chorus: Parma Teatro Regio Chorus
Chorus Master: Faidutti, Andrea

Azucena: Surguladze, Nino
Fernand: Spotti, Marco
Ines: Langella, Tonia
La Bohemienne: Surguladze, Nino
Le Comte de Luna: Vassallo, Franco
Le Trouvere: Gipali, Giuseppe
Leonore: Mantegna, Roberta
Manrique: Gipali, Giuseppe
Messenger: Casalin, Luca
Ruiz: Casalin, Luca
Un vieux Bohemien: Donini, Nicolo

Set Designer: Roberto, Wilson
Costume Designer: Leliwa, Julia von
Lighting Designer: Roberto, Wilson
Stage Director: Roberto, Wilson

Date of Production: 09-2019
Venue: Teatro Regio, Parma
Playing Time: 02:49:27
Catalogue Number: 37835
UPC: 8007144378356

After the great success that Il Trovatore received in Paris, Verdi was proposed to compose a French version of the opera to suit the tastes of the local public. The original work, based on the Spanish play El trovador by Antonio Garcia Gutierrez, had a libretto by Cammarano, which was translated into French by Emilien Pacini.

Le Trouvere was first staged in Brussels in 1856 and premiered at the Paris Opera in 1857. In this new version the composer added some music in act 3 for the gypsie ballet scene, extended the finale of act 4 and made several other revisions. The plot is highly dramatic and captivating: Verdi portrays strong characters who deal with war, obsession and revenge.

To use director Robert Wilson's words "this is a family tragedy, and in many ways, it is a very contemporary story." Wilson's approach to the opera aims at preserving its emotional strength by using a very essential decor, whose main element is light: "As a director, when I design the stage and lighting, I think about if what I see can help me hear better. Le Trouvere requires a tremendous amount of concentration, so the set I designed is abstract in order to create a space for the music in the Farnese. I have designed an environment in concrete, creating a juxtaposition to the theatre's ornate interior. Light in my work functions as part of the architectural whole. It is an element which helps us hear and see. Without light there is no space. To light a world that Verdi has described as so dark, one needs light to make the space darker."

In the set's background the director also uses some photos by American photographer Robert Rosenkranz. This production was staged in the splendid Teatro Farnese of Parma, which was built in 1628 and belongs to the Complesso Monumentale della Pilotta, one of the oldest museums in Italy. Extra content: Interview with the curator of the Museum subtitled in all languages.

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